Trailer: ‘R.I.P.D.’ - July 19th
Directed by Robert Schwentke, Ryan Reynolds, Jeff Bridges, Kevin Bacon, Stephanie Szostak, Mary-Louise Parker, Marisa Miller, Mike O’Malley, James Hong and Robert Knepper.
Oh okay, who knew this was going to be so stylized? Very very reminiscent of ‘Men In Black’ but it’s got a few novel twists on the formula so I’ll take it. And Jeff Bridges is more than hamming it up so why not. I just have one question, what stakes are there for Reynolds and Bridges if they’re already dead? Can they die again?
I’m sort of thrown off today. it’s hard to be motivated to bring you science when there’s Reality going on.
When something hits us upside the head like the Boston Marathon explosions, we can feel dizzy, disoriented … left swirling in a dust-storm of rapidly beating hearts, furrowed brows, held breath and shaking heads. That’s how I feel, anyway. I’ve been sitting here, repeatedly muttering statements that begin with “What the f…” and simultaneously cheering and cursing the power of social media to communicate painful news. I keep looking through Twitter and blogs, knowing exactly what I’ll see and don’t want to. So powerful, but so unfiltered.
It’s not the first time in the past year that this message from Fred Rogers has been appropriate, and that’s perhaps the ultimate tragedy. But he’s right. Every photo of violence and blood in the streets of Boston that we won’t unsee is full of people running in to help. And if we have to look, that’s what we should focus on.
My thoughts are with Boston.
FJP: Agreed. A very wonderful thought from someone who works on a very wonderful program. Our thoughts are with all those in Boston and all those who have a loved one who traveled there for the marathon. If you’re looking for someone or have information about someone, try Google Person Finder.
- Anyone intending to embark on a major work should be lenient with himself and, having completed a stint, deny himself nothing that will not prejudice the next.
- Talk about what you have written, by all means, but do not read from it while the work is in progress. Every gratification procured in this way will slacken your tempo. If this regime is followed, the growing desire to communicate will become in the end a motor for completion.
- In your working conditions avoid everyday mediocrity. Semi-relaxation, to a background of insipid sounds, is degrading. On the other hand, accompaniment by an etude or a cacophony of voices can become as significant for work as the perceptible silence of the night. If the latter sharpens the inner ear, the former acts as a touchstone for a diction ample enough to bury even the most wayward sounds.
- Avoid haphazard writing materials. A pedantic adherence to certain papers, pens, inks is beneficial. No luxury, but an abundance of these utensils is indispensable.
- Let no thought pass incognito, and keep your notebook as strictly as the authorities keep their register of aliens.
- Keep your pen aloof from inspiration, which it will then attract with magnetic power. The more circumspectly you delay writing down an idea, the more maturely developed it will be on surrendering itself. Speech conquers thought, but writing commands it.
- Never stop writing because you have run out of ideas. Literary honour requires that one break off only at an appointed moment (a mealtime, a meeting) or at the end of the work.
- Fill the lacunae of inspiration by tidily copying out what is already written. Intuition will awaken in the process.
- Nulla dies sine linea [‘No day without a line’] — but there may well be weeks.
- Consider no work perfect over which you have not once sat from evening to broad daylight.
- Do not write the conclusion of a work in your familiar study. You would not find the necessary courage there.
- Stages of composition: idea — style — writing. The value of the fair copy is that in producing it you confine attention to calligraphy. The idea kills inspiration, style fetters the idea, writing pays off style.
- The work is the death mask of its conception.